Episode 09 - The Art of Printing: Enhancing Your Photography Experience
- Michael Rung
- Sep 9
- 4 min read
Considerations for fully realizing your creative vision through making prints
In this episode of Shutter Nonsense, Michael and Jeffrey hold an in-depth conversation about the essentials of printing photographs. They explore the differences between home printing and outsourcing, the importance of paper selection, and printing techniques to achieve the final desired look.
Michael explains his preference for certain papers and shares some technical tips on editing photos specifically for print. They also touch on the rewards of holding a physical print and how printing can influence one's approach to both photography and photo editing.
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Contents
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Episode Summary
The Art and Necessity of Printing Your Photography
Welcome to episode nine of Shutter Nonsense, where we delve into the art of photography beyond the digital realm. This week, we’re talking about printing, an often overlooked yet crucial aspect of a photographer's journey. Join our discussion as we explore why printing is essential, the choices between at-home versus outsourced printing, and how the medium itself can redefine your work.
Why Print your Photos?
In today's digital world, where images are often consumed on screens, the tangible aspect of photography is frequently lost. Printing your work isn't just about having a physical copy; it's about experiencing the true essence and emotion of your photograph. As Michael mentions, holding a print can transform the appreciation of your art, giving it a new meaning and depth. It encourages you to slow down and truly absorb the image, an experience that screens can't replicate.
Buying a Photo Printer vs. Outsourcing to Print Labs
For most photographers, printing begins with a third-party lab. Outsourcing is economical and straightforward, especially for beginners. However, as Michael’s journey illustrates, there's a depth of creative control and fulfillment in printing your own work. A significant factor to consider is the balance between personal artistic representation versus market demands, a choice that often dictates whether you might offer ready-to-hang options like metal or acrylic prints.
Choosing Your Photography Print Medium
Every photographer faces decisions about the medium and paper type that best represents their work. While some prefer the simplicity of ready-to-hang metal or acrylic, others, like Michael, adore the traditional fine art paper, which offers a tactile, textured experience. Red River's Palo Duro Etching paper stands out for its durability and quality, maintaining color vibrancy even with its matte finish.
The Printing Process: Tips for Success
If you're venturing into printing, here are some crucial tips:
1. Start Simple: Experiment with a basic exposure and contrast adjustment before printing. Test prints help in understanding how your work translates from screen to paper.
2. Embrace Trial and Error: Your first print might not be perfect, and that's okay. It's part of the learning curve. Don’t shy away from tweaking exposure, contrast, and color to achieve the desired result.
3. Consider Your Audience: If printing for clients, consider popular options like ready-to-hang formats. For personal satisfaction, focus on the medium that fulfills your artistic vision.
4. Learn from Each Print: Printing can reveal details missed on a screen. Use this as an opportunity to refine both your processing and your photographic eye.
The Reward of Printing
Beyond technical knowledge, printing offers a unique emotional reward. Watching your image emerge row by row from a printer is an exhilarating experience that reaffirms your journey as an artist. Whether for personal satisfaction or commercial purposes, the tactile element of a print imbues your work with an authenticity that digital platforms can’t match.
In conclusion, whether you choose to print at home or outsource, embracing the process can enrich your photographic practice. It provides a valuable learning experience, helping you see your work in a new light. Printing isn’t just a task; it’s a fulfilling part of the artistic journey, revealing nuances and depth in your imagery that may otherwise go unnoticed.
Thank you for joining us in this exploration of printing in photography. Until next time, take care and keep capturing those moments.
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Michael Rung
Michael is a nature and landscape photographer based in Texas, with a deep appreciation for quiet forests and the unique character of trees. His photography often explores the subtle beauty in overlooked scenes, capturing atmosphere and emotion through careful composition and light. Michael brings thoughtful insight, honest reflections, and a grounded perspective to every episode of Shutter Nonsense.
Jeffrey Tadlock
Jeffrey is a landscape photographer from Ohio who finds inspiration in waterfalls, scenic overlooks, and the ever-changing light of the natural world. He enjoys sharing stories from the field and helping others improve their skills through practical, experience-based tips. With a passion for teaching and a love of the outdoors, Jeffrey brings clarity and encouragement to fellow photographers at all levels.
